A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 28
... effect , and , having done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of it ...
... effect , and , having done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of it ...
Pagina 78
... effect be in coming , but , on the other hand , the more universal will that effect tend to become . So the universality here lies in the effect pro- duced , and not in the cause . Altogether different is the object of comedy . Here it ...
... effect be in coming , but , on the other hand , the more universal will that effect tend to become . So the universality here lies in the effect pro- duced , and not in the cause . Altogether different is the object of comedy . Here it ...
Pagina 118
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York