A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 12
... elements in relation , the form is the relation among the elements , and the total work is both in irrefrangible unity . This is the meaning of organic unity as sketched by Harold Osborne ( see Chapter 9 ) . Another characteristic of a ...
... elements in relation , the form is the relation among the elements , and the total work is both in irrefrangible unity . This is the meaning of organic unity as sketched by Harold Osborne ( see Chapter 9 ) . Another characteristic of a ...
Pagina 81
... elements or moments and the synthesis of the two ; but these other things are either present as extraneous elements in a compound ( reflections , exhortations , polemics , allegories , etc. ) , or else they are just these image ...
... elements or moments and the synthesis of the two ; but these other things are either present as extraneous elements in a compound ( reflections , exhortations , polemics , allegories , etc. ) , or else they are just these image ...
Pagina 221
... elements of the dance . These movements themselves vary according to different national schools and traditions ( Bali- nese , Hindu , Spanish , Russian dances , and so on ) and the grammars of motion which teach its elements vary within ...
... elements of the dance . These movements themselves vary according to different national schools and traditions ( Bali- nese , Hindu , Spanish , Russian dances , and so on ) and the grammars of motion which teach its elements vary within ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York