Dall'interno del libro
Risultati 1-3 di 85
Pagina 81
Moreover, these two elements may appear as two in a first abstract analysis, but
they cannot be regarded as two distinct threads, however intertwined; for in effect,
the feeling is altogether converted into images, into this complex of images, and ...
Moreover, these two elements may appear as two in a first abstract analysis, but
they cannot be regarded as two distinct threads, however intertwined; for in effect,
the feeling is altogether converted into images, into this complex of images, and ...
Pagina 221
It was therefore necessary to create the elements of an art of human movement
which would enable the prospective dancer to obtain from his body the desired
attitudes, positions, and actions with the minimum of fatigue and the maximum of
...
It was therefore necessary to create the elements of an art of human movement
which would enable the prospective dancer to obtain from his body the desired
attitudes, positions, and actions with the minimum of fatigue and the maximum of
...
Pagina 252
Is it a mistake to interpret certain elements in poems or pictures, novels or dances
, as symbols? Are the symbolists, imagists, surrealists, and the countless
religious painters and poets before them all mistaken — everybody out of step
except ...
Is it a mistake to interpret certain elements in poems or pictures, novels or dances
, as symbols? Are the symbolists, imagists, surrealists, and the countless
religious painters and poets before them all mistaken — everybody out of step
except ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity Apollinian appreciation Aristotle artist artworld beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative criticism dance dancer defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians example existence expression external fact feeling G. E. M. Anscombe Greek human ideas imagination imitation individual intuition judgment kind language living look Ludwig Wittgenstein machine material matter means MELVIN RADER merely mind moral Morris Weitz movement nature novel object organic painter painting particular perception person phantasy philosophical physical picture play pleasure poet poetry present principle production psychological pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social Sophocles structure style sublime symbol things tion tragedy unity vision visual whole word world vision