A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 162
... embodiment of values . In using the term " embodiment , " Reid is emphasizing that values in art are inseparable from qualities in the object , as mere feelings are not . Esthetic value unites feeling and quality in a subject - object ...
... embodiment of values . In using the term " embodiment , " Reid is emphasizing that values in art are inseparable from qualities in the object , as mere feelings are not . Esthetic value unites feeling and quality in a subject - object ...
Pagina 186
... EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an ... embodiment . If , therefore , we say 186 Embodiment of Values.
... EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an ... embodiment . If , therefore , we say 186 Embodiment of Values.
Pagina 556
... Embodiment ; Feeling ; Pleasure Empathy , 10 , 21 , 233 , 264 , 333–334 , 371–378 Empson , William , 125 , 134 Ends and means , 135-136 , 140-141 , 295-296 Ericson , Raymond , quoted , 388 Esthetic , contrasted with physical pleasure ...
... Embodiment ; Feeling ; Pleasure Empathy , 10 , 21 , 233 , 264 , 333–334 , 371–378 Empson , William , 125 , 134 Ends and means , 135-136 , 140-141 , 295-296 Ericson , Raymond , quoted , 388 Esthetic , contrasted with physical pleasure ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York