A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 141
... emotion demands something beyond itself to which to at- tach itself , and thus it soon generates a delusion in lack of something real . Emotion belongs of a certainty to the self . But it belongs to the self that is concerned in the ...
... emotion demands something beyond itself to which to at- tach itself , and thus it soon generates a delusion in lack of something real . Emotion belongs of a certainty to the self . But it belongs to the self that is concerned in the ...
Pagina 292
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
Pagina 295
... emotion to the same world of esthetic ecstasy . II THE METAPHYSICAL HYPOTHESIS It seems to me possible , though by no means certain , that created form moves us so profoundly because it expresses the emotion of its creator . If this be ...
... emotion to the same world of esthetic ecstasy . II THE METAPHYSICAL HYPOTHESIS It seems to me possible , though by no means certain , that created form moves us so profoundly because it expresses the emotion of its creator . If this be ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York