A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 292
... essential to the appreciation of all . What we must say is that the representation of three - dimensional space is neither irrelevant nor essential to all art , and that every other sort of representation is irrelevant . That there is ...
... essential to the appreciation of all . What we must say is that the representation of three - dimensional space is neither irrelevant nor essential to all art , and that every other sort of representation is irrelevant . That there is ...
Pagina 396
... essential texts , without which his work simply cannot be understood . Moreover , the historian's task is made all the more difficult by the fact that an author's letters and rough notes may contain some of the really essential texts ...
... essential texts , without which his work simply cannot be understood . Moreover , the historian's task is made all the more difficult by the fact that an author's letters and rough notes may contain some of the really essential texts ...
Pagina 398
... essential from the accidental ele- ments in a work of art ; the validity of this method will be measured by the fact that it will never proclaim as accidental works which are estheti- cally satisfying . In my view , such an instrument ...
... essential from the accidental ele- ments in a work of art ; the validity of this method will be measured by the fact that it will never proclaim as accidental works which are estheti- cally satisfying . In my view , such an instrument ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York