A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 435
... esthetic matters is still deeply wedded to the hope that the correct theory of art is forthcoming . We need only examine the numerous new books on art in which new definitions are proffered ; or , in our own country especially , the ...
... esthetic matters is still deeply wedded to the hope that the correct theory of art is forthcoming . We need only examine the numerous new books on art in which new definitions are proffered ; or , in our own country especially , the ...
Pagina 437
... theory of art as significant form which is defined in part in terms of our response to significant form . Some of them , in their search for necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell ...
... theory of art as significant form which is defined in part in terms of our response to significant form . Some of them , in their search for necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell ...
Pagina 454
... esthetic theory bears this out . Since the time of Hegel and of Schopenhauer there have been comparatively few influential esthetic theories which have made the problem of the diversity of art forms , and the classification of these ...
... esthetic theory bears this out . Since the time of Hegel and of Schopenhauer there have been comparatively few influential esthetic theories which have made the problem of the diversity of art forms , and the classification of these ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York