A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 393
... value that one might take an interest in : market value or art - historical value ( that is , use- fulness in illuminating some phase of art history ) . Speaking very broadly ( and for some purposes too sweepingly ) , the vari- ous kinds of ...
... value that one might take an interest in : market value or art - historical value ( that is , use- fulness in illuminating some phase of art history ) . Speaking very broadly ( and for some purposes too sweepingly ) , the vari- ous kinds of ...
Pagina 407
... esthetic value lies not alone in what it can do in the esthetic field , but in its conformity with a mode of handling all ... value runs out into all life , though it runs pretty thinly through much of it . It is characteristic of ...
... esthetic value lies not alone in what it can do in the esthetic field , but in its conformity with a mode of handling all ... value runs out into all life , though it runs pretty thinly through much of it . It is characteristic of ...
Pagina 475
... esthetic . As a consequence of revolution , there are profound changes in art and all other forms of culture . Although ... esthetic value is completely relative to the economic system , he was too much the lover of the Greek classics to ...
... esthetic . As a consequence of revolution , there are profound changes in art and all other forms of culture . Although ... esthetic value is completely relative to the economic system , he was too much the lover of the Greek classics to ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York