A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 5
... estheticians , ancient and modern , to illustrate the recognition that art , as a creative process , is the expression of mood , feeling , or spirit . There are two parts to this consensus : first , that art is expression , and second ...
... estheticians , ancient and modern , to illustrate the recognition that art , as a creative process , is the expression of mood , feeling , or spirit . There are two parts to this consensus : first , that art is expression , and second ...
Pagina 136
... esthetician Andrew Paul Ushenko expressed to Dewey his opinion that the emphasis on this continuity " does not do justice ... estheticians who have been influenced by Dewey is Dorothy Walsh ( 1901- ) , Professor Emeritus of philosophy at ...
... esthetician Andrew Paul Ushenko expressed to Dewey his opinion that the emphasis on this continuity " does not do justice ... estheticians who have been influenced by Dewey is Dorothy Walsh ( 1901- ) , Professor Emeritus of philosophy at ...
Pagina 389
... esthetician , who is bound to inquire whether the items cannot be arranged in certain basic and illuminating categories , and whether there is not a small set of principles at work here . Some estheticians are very dubious about this ...
... esthetician , who is bound to inquire whether the items cannot be arranged in certain basic and illuminating categories , and whether there is not a small set of principles at work here . Some estheticians are very dubious about this ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York