A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 122
... example when someone exclaims “ Brute ! " we do not think of animals and then of brutish qualities , but have a powerful subjective reaction suggesting cruelty and clumsiness . This is a poetic reaction to a word ; the other is a story ...
... example when someone exclaims “ Brute ! " we do not think of animals and then of brutish qualities , but have a powerful subjective reaction suggesting cruelty and clumsiness . This is a poetic reaction to a word ; the other is a story ...
Pagina 454
... example , one looks in vain in the Elton volume for a careful appraisal of the relations between esthetic theory and art criticism , and how the functions of each might differ from the func- tions of the other . A striking example of ...
... example , one looks in vain in the Elton volume for a careful appraisal of the relations between esthetic theory and art criticism , and how the functions of each might differ from the func- tions of the other . A striking example of ...
Pagina 464
... example , could be added in one fell swoop . What is more likely is that a new subsystem would be added within a system . For example , junk sculpture added within sculpture , happenings added within theater . Such additions might in ...
... example , could be added in one fell swoop . What is more likely is that a new subsystem would be added within a system . For example , junk sculpture added within sculpture , happenings added within theater . Such additions might in ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York