A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 151
... Experience ( 1934 ) DOROTHY WALSH Virtual Experience John Dewey in ... Art as Experience remarked that although philosophers talk a lot about experience they usually fail to take account of the notion of an experience . When someone ...
... Experience ( 1934 ) DOROTHY WALSH Virtual Experience John Dewey in ... Art as Experience remarked that although philosophers talk a lot about experience they usually fail to take account of the notion of an experience . When someone ...
Pagina 152
... experience might be a case of what we call " sudden illumination . " " While I was watering the flowers , putting on my coat . . . I suddenly got the idea of how to solve such - and - such a ... experience is 152 Enhancement of Experience.
... experience might be a case of what we call " sudden illumination . " " While I was watering the flowers , putting on my coat . . . I suddenly got the idea of how to solve such - and - such a ... experience is 152 Enhancement of Experience.
Pagina 156
... experience incarnated in the poem , the experience that is the very substance of the poem , is not actual experience . It cannot be said to be the poet's experience , since the poet is a person and any experience of a person is a ...
... experience incarnated in the poem , the experience that is the very substance of the poem , is not actual experience . It cannot be said to be the poet's experience , since the poet is a person and any experience of a person is a ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York