A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 175
... expression . If the value lies wholly in the first term , we have no beauty of expression . The decorative inscriptions in Saracenic monuments can have no beauty of expression for one who does not read Arabic ; their charm is wholly one ...
... expression . If the value lies wholly in the first term , we have no beauty of expression . The decorative inscriptions in Saracenic monuments can have no beauty of expression for one who does not read Arabic ; their charm is wholly one ...
Pagina 186
... EXPRESSION " AND EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an experience , " expresses " this experience in a ...
... EXPRESSION " AND EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an experience , " expresses " this experience in a ...
Pagina 268
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind " the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind " the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York