A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 130
... external reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but ...
... external reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but ...
Pagina 131
... external reality and have become portions of external reality themselves and , in doing so , have necessarily generated a formal structure ( the scale , " rules " of harmony , etc. ) which gives them the rigidity and social status of ...
... external reality and have become portions of external reality themselves and , in doing so , have necessarily generated a formal structure ( the scale , " rules " of harmony , etc. ) which gives them the rigidity and social status of ...
Pagina 170
... external object . The greater dignity and range of esthetic pleasure is thus made very intelligible The soul is glad , as it were , to forget its connection with the body and to fancy that it can travel over the world with the liberty ...
... external object . The greater dignity and range of esthetic pleasure is thus made very intelligible The soul is glad , as it were , to forget its connection with the body and to fancy that it can travel over the world with the liberty ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York