Dall'interno del libro
Risultati 1-3 di 82
Pagina 57
We might even say that it includes the whole of esthetics, which is in fact the
question of personality in art. . . . Truth and personality: these are the alpha and
omega of art formulas; truth as to facts, and the personality of the artist. But, if we
look ...
We might even say that it includes the whole of esthetics, which is in fact the
question of personality in art. . . . Truth and personality: these are the alpha and
omega of art formulas; truth as to facts, and the personality of the artist. But, if we
look ...
Pagina 183
The life-resources of art are events or facts or concepts or images as experienced
, and as experienced with feeling. They are not the things alone, nor the feelings
alone, but the things-as-experi- enced-with feeling. Another way, and a short ...
The life-resources of art are events or facts or concepts or images as experienced
, and as experienced with feeling. They are not the things alone, nor the feelings
alone, but the things-as-experi- enced-with feeling. Another way, and a short ...
Pagina 235
The problem here is concerned with the claim of alertness in our intelligence,
with the nature of the obligation implied in that which a man carries out with a
volition fully aware of its acts as contrasted with that which he has done in fact,
but ...
The problem here is concerned with the claim of alertness in our intelligence,
with the nature of the obligation implied in that which a man carries out with a
volition fully aware of its acts as contrasted with that which he has done in fact,
but ...
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Parole e frasi comuni
A. C. Bradley abstract activity Apollinian appreciation Aristotle artist artworld beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative criticism dance dancer defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians example existence expression external fact feeling G. E. M. Anscombe Greek human ideas imagination imitation individual intuition judgment kind language living look Ludwig Wittgenstein machine material matter means MELVIN RADER merely mind moral Morris Weitz movement nature novel object organic painter painting particular perception person phantasy philosophical physical picture play pleasure poet poetry present principle production psychological pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social Sophocles structure style sublime symbol things tion tragedy unity vision visual whole word world vision