A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 57
... fact the question of personality in art . . . . Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two ...
... fact the question of personality in art . . . . Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two ...
Pagina 235
... fact which an individual has achieved , and refuses to face the division implied by the purely ideal attitude of the soul in the self - conscious life on the one hand and the objective significance of the fact accomplished on the other ...
... fact which an individual has achieved , and refuses to face the division implied by the purely ideal attitude of the soul in the self - conscious life on the one hand and the objective significance of the fact accomplished on the other ...
Pagina 237
... fact , the universal reconciliation of simple accommodation . The higher conception of reconciliation in tragedy is on the contrary related to the resolution of specific ethical and substantive facts from their contradiction into their ...
... fact , the universal reconciliation of simple accommodation . The higher conception of reconciliation in tragedy is on the contrary related to the resolution of specific ethical and substantive facts from their contradiction into their ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York