A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 60
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
Pagina 63
... feeling transmitted ; ( 2 ) on the greater or lesser clearness with which the feeling is transmitted ; ( 3 ) on the sincerity of the artist , that is , on the greater or lesser force with which the artist himself feels the emotion he ...
... feeling transmitted ; ( 2 ) on the greater or lesser clearness with which the feeling is transmitted ; ( 3 ) on the sincerity of the artist , that is , on the greater or lesser force with which the artist himself feels the emotion he ...
Pagina 185
... FEELING AND EMOTION What of the place of feeling and emotion ? After the Romantic Revival it became an almost unexamined assumption that the artist " expresses " in art his feelings or emotions . Temporarily letting the term ...
... FEELING AND EMOTION What of the place of feeling and emotion ? After the Romantic Revival it became an almost unexamined assumption that the artist " expresses " in art his feelings or emotions . Temporarily letting the term ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York