A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 369
... human life . They are secondary emotions which those ultra - objects provoke in the artist that is within us . They are sentiments specifically esthetic . One may say that such a result could be more simply obtained by putting aside ...
... human life . They are secondary emotions which those ultra - objects provoke in the artist that is within us . They are sentiments specifically esthetic . One may say that such a result could be more simply obtained by putting aside ...
Pagina 475
... human beings , human life is reduced to a material level , and men are estranged from one another and from their species - nature . The essence of man , he thinks , is not , as Aristotle and Hegel supposed , that he is a rational animal ...
... human beings , human life is reduced to a material level , and men are estranged from one another and from their species - nature . The essence of man , he thinks , is not , as Aristotle and Hegel supposed , that he is a rational animal ...
Pagina 487
... human reality . It is human effectiveness and human suffering , for suffering humanly considered is an enjoyment of the self for man . Private property has made us so stupid and partial that an object is only ours when we have it , when ...
... human reality . It is human effectiveness and human suffering , for suffering humanly considered is an enjoyment of the self for man . Private property has made us so stupid and partial that an object is only ours when we have it , when ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York