A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 129
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and concentrated on in the same ...
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and concentrated on in the same ...
Pagina 184
... ideas which " get expressed . " If by " ideas " we mean con- cepts , then philosophy or science are the proper media for the expression of concepts and their relations . Concepts are abstractions , they are structures or forms which can ...
... ideas which " get expressed . " If by " ideas " we mean con- cepts , then philosophy or science are the proper media for the expression of concepts and their relations . Concepts are abstractions , they are structures or forms which can ...
Pagina 302
... ideas are necessarily present to some degree in the work of us who have come later , and who are familiar with the ideas and images thus generated . Content , purpose , idea all provide new direction and new shape , but all are united ...
... ideas are necessarily present to some degree in the work of us who have come later , and who are familiar with the ideas and images thus generated . Content , purpose , idea all provide new direction and new shape , but all are united ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York