A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 95
Pagina 25
... imagination , " formulated by Coleridge and other romanticists . The theory of imitation emphasizes the cognitive and realistic elements in art ; the theory of imagination stresses the emotional and purely imaginative factors . These ...
... imagination , " formulated by Coleridge and other romanticists . The theory of imitation emphasizes the cognitive and realistic elements in art ; the theory of imagination stresses the emotional and purely imaginative factors . These ...
Pagina 196
... imagination lives in the powers of his medium ; he thinks and feels in terms of it ; it is the peculiar body of which his esthetic imagination and no other is the peculiar soul . Thus there grow up the distinct traditions , the whole ...
... imagination lives in the powers of his medium ; he thinks and feels in terms of it ; it is the peculiar body of which his esthetic imagination and no other is the peculiar soul . Thus there grow up the distinct traditions , the whole ...
Pagina 526
... Imagination . " In Ralph A. Smith ( ed . ) , Aesthetic Concepts and Education . Urbana , Ill .: University of Illinois Press , 1970 . Guggenheimer , Richard . Creative Vision in Artist and Audience . New York : Harper & Row , 1950 ...
... Imagination . " In Ralph A. Smith ( ed . ) , Aesthetic Concepts and Education . Urbana , Ill .: University of Illinois Press , 1970 . Guggenheimer , Richard . Creative Vision in Artist and Audience . New York : Harper & Row , 1950 ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York