A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 397
... individual , but from the individual to the social group of which he forms part . For when we look at them more closely the difficulties raised both by a consideration of the text and by a study of the author's life are basically the ...
... individual , but from the individual to the social group of which he forms part . For when we look at them more closely the difficulties raised both by a consideration of the text and by a study of the author's life are basically the ...
Pagina 399
... individual as absolute and sole reality , and to study other men only in so far as they play the part of objects in the individual's ideas and activities . This atomistic view of the individual was shared by the Cartesian or Fichtean ...
... individual as absolute and sole reality , and to study other men only in so far as they play the part of objects in the individual's ideas and activities . This atomistic view of the individual was shared by the Cartesian or Fichtean ...
Pagina 481
... individual will to the general ; the aesthetic State alone can make it real , because it consummates the will of the whole through the nature of the individual . Though it may be his needs which drive man into society , and reason which ...
... individual will to the general ; the aesthetic State alone can make it real , because it consummates the will of the whole through the nature of the individual . Though it may be his needs which drive man into society , and reason which ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York