A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 341
... judgment can only be called exemplary , i.e. , a necessity of the assent of all to a judgment which is regarded as the example of a universal rule that we cannot state . Since an esthetical judgment is not an objective cognitive judgment ...
... judgment can only be called exemplary , i.e. , a necessity of the assent of all to a judgment which is regarded as the example of a universal rule that we cannot state . Since an esthetical judgment is not an objective cognitive judgment ...
Pagina 342
... judgments which contain an ought . It does not say that everyone will agree with my judgment , but that he ought . And so common sense , as an example of whose judgment I here put forward my judgment of taste and on account of which I ...
... judgments which contain an ought . It does not say that everyone will agree with my judgment , but that he ought . And so common sense , as an example of whose judgment I here put forward my judgment of taste and on account of which I ...
Pagina 414
... judgment of it . For the potentiality of the cumu- lative series of perceptions and of the ideal of the fully realized and funded perception at the end of the series lies in the actual continuity of the physical work of art . It lies in ...
... judgment of it . For the potentiality of the cumu- lative series of perceptions and of the ideal of the fully realized and funded perception at the end of the series lies in the actual continuity of the physical work of art . It lies in ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York