A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 157
... kind of " public presence " and a kind of " permanent presence " not possible in any case of actual experience . Because it has a public presence it is poten- tially sharable , and because it has a permanent presence it is more ...
... kind of " public presence " and a kind of " permanent presence " not possible in any case of actual experience . Because it has a public presence it is poten- tially sharable , and because it has a permanent presence it is more ...
Pagina 269
... kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
... kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
Pagina 393
... kind of value that one might take an interest in : market value or art - historical value ( that is , use- fulness in illuminating some phase of art history ) . Speaking very broadly ( and for some purposes too sweepingly ) , the vari ...
... kind of value that one might take an interest in : market value or art - historical value ( that is , use- fulness in illuminating some phase of art history ) . Speaking very broadly ( and for some purposes too sweepingly ) , the vari ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York