A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 301
... look of wood and cloth and a face - seeking to reveal character in his painting , loving the incidental beauty of things , but loving even more the actual way of things - sympathy , honesty , dedication , visible apprehensible shape ...
... look of wood and cloth and a face - seeking to reveal character in his painting , loving the incidental beauty of things , but loving even more the actual way of things - sympathy , honesty , dedication , visible apprehensible shape ...
Pagina 304
... look at David Smith's sculpture where it is all so feelingly expressed . In painting , there are additional kinds of content which help to set the look and the shape and the colors of the work that we see today . There is a certain ...
... look at David Smith's sculpture where it is all so feelingly expressed . In painting , there are additional kinds of content which help to set the look and the shape and the colors of the work that we see today . There is a certain ...
Pagina 449
... look for unity , and we also look for variety , for balance and movement . We attend to the formal interrelations and cross connections in the work , to its underlying structure . .. Fifthly , this work is a representational painting ...
... look for unity , and we also look for variety , for balance and movement . We attend to the formal interrelations and cross connections in the work , to its underlying structure . .. Fifthly , this work is a representational painting ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York