A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 501
An Anthology Melvin Miller Rader. LEWIS MUMFORD The Esthetic Assimilation of the Machine In the arts , it is plain that the machine is an instrument with mani- fold and conflicting possibilities . It may be used to counterfeit older ...
An Anthology Melvin Miller Rader. LEWIS MUMFORD The Esthetic Assimilation of the Machine In the arts , it is plain that the machine is an instrument with mani- fold and conflicting possibilities . It may be used to counterfeit older ...
Pagina 504
... machine an exclusive sanctity and grace it did not merit . Lacking the courage to use the machine as an instrument of creative purpose , and being unable to attune themselves to new objectives and new standards , the esthetes were ...
... machine an exclusive sanctity and grace it did not merit . Lacking the courage to use the machine as an instrument of creative purpose , and being unable to attune themselves to new objectives and new standards , the esthetes were ...
Pagina 509
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York