A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 64
... matter , that is to say , apart from whether the feelings it transmits are good or bad .... How in the subject matter of art are we to decide what is good and what is bad ? Art like speech is a means of communication and therefore of ...
... matter , that is to say , apart from whether the feelings it transmits are good or bad .... How in the subject matter of art are we to decide what is good and what is bad ? Art like speech is a means of communication and therefore of ...
Pagina 187
... matter , " and its " form , " are of a single piece , one spirit and one body . Collingwood writes : " When the poem is written , there is nothing in it of which we can say ' this is a matter which might have taken a different form ' or ...
... matter , " and its " form , " are of a single piece , one spirit and one body . Collingwood writes : " When the poem is written , there is nothing in it of which we can say ' this is a matter which might have taken a different form ' or ...
Pagina 210
... MATTER AND COMPOSITION So far we have been considering the mechanics of photographic seeing . Now let us see how this camera - vision applies to the fields of subject mat- ter and composition . No sharp line can be drawn between the ...
... MATTER AND COMPOSITION So far we have been considering the mechanics of photographic seeing . Now let us see how this camera - vision applies to the fields of subject mat- ter and composition . No sharp line can be drawn between the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York