A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 59
... means of lines , colors , movements , sounds , or words , of emotions felt by man ( Véron ) . This is the experimental definition . According to the very latest definition ( Sully ) , ( 3 ) Art is " the production of some perma- nent ...
... means of lines , colors , movements , sounds , or words , of emotions felt by man ( Véron ) . This is the experimental definition . According to the very latest definition ( Sully ) , ( 3 ) Art is " the production of some perma- nent ...
Pagina 184
... means to clearer conception , and a means to the communication of ideas . If scientists and philosophers are talking about mathematical propositions , or electrons , or duty , freedom , the status of secondary qualities . . . they ...
... means to clearer conception , and a means to the communication of ideas . If scientists and philosophers are talking about mathematical propositions , or electrons , or duty , freedom , the status of secondary qualities . . . they ...
Pagina 432
... mean by this that he is supposed to see in those examples that common thing which I — for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means ...
... mean by this that he is supposed to see in those examples that common thing which I — for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York