A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 218
... mere episode , ' which is now being swept away again by the torrent of individualism ? May the film be perhaps not the beginning of a new artistic era , but merely the somewhat hesitant continuation of the old individualistic culture ...
... mere episode , ' which is now being swept away again by the torrent of individualism ? May the film be perhaps not the beginning of a new artistic era , but merely the somewhat hesitant continuation of the old individualistic culture ...
Pagina 478
... merely gathering supplies around him for future use , and enjoying them in anticipation , he does , it is true , transcend the present moment - but without transcending time altogether . He enjoys more , but he does not enjoy ...
... merely gathering supplies around him for future use , and enjoying them in anticipation , he does , it is true , transcend the present moment - but without transcending time altogether . He enjoys more , but he does not enjoy ...
Pagina 481
... merely make society possible , by letting one nature be curbed by another ; the ethical State can merely make it ( morally ) necessary , by subjecting the individual will to the general ; the aesthetic State alone can make it real ...
... merely make society possible , by letting one nature be curbed by another ; the ethical State can merely make it ( morally ) necessary , by subjecting the individual will to the general ; the aesthetic State alone can make it real ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York