A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 50
... moral wants . This instinct , common to all animals , is seconded in man by an exceptionally well - developed faculty to adapt the means to the end . The effort to satisfy physical wants has given birth to all industries that defend ...
... moral wants . This instinct , common to all animals , is seconded in man by an exceptionally well - developed faculty to adapt the means to the end . The effort to satisfy physical wants has given birth to all industries that defend ...
Pagina 106
... moral order of things , " or the teaching of the " uselessness of existence , " or the excitement to " resignation " ( or also half - medicinal and half - moral outpourings , à la Aristotle ) . Finally , the art of terrible natures ...
... moral order of things , " or the teaching of the " uselessness of existence , " or the excitement to " resignation " ( or also half - medicinal and half - moral outpourings , à la Aristotle ) . Finally , the art of terrible natures ...
Pagina 167
... moral worth , on the contrary , are always based , when they are positive , upon the consciousness of benefits probably in- volved . Both these distinctions need some elucidations . Hedonistic ethics have always had to struggle against ...
... moral worth , on the contrary , are always based , when they are positive , upon the consciousness of benefits probably in- volved . Both these distinctions need some elucidations . Hedonistic ethics have always had to struggle against ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York