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Pagina 255
I venture to say, however, that only in rare and fleeting instances does movement
assume the whole or even the principal expressive burden. In speaking of
musical movement, on the other hand, we do not refer to rhythm alone, but rather
to ...
I venture to say, however, that only in rare and fleeting instances does movement
assume the whole or even the principal expressive burden. In speaking of
musical movement, on the other hand, we do not refer to rhythm alone, but rather
to ...
Pagina 375
active in the movement or in the moving figure, and through projecting myself into
it I feel myself striving and performing this same movement. There is no other way
; because under the assumed conditions there cannot be any other movement ...
active in the movement or in the moving figure, and through projecting myself into
it I feel myself striving and performing this same movement. There is no other way
; because under the assumed conditions there cannot be any other movement ...
Pagina 376
Both my situation and attitude prevent any bodily movements. But this does not
eliminate my inner activity, the striving and satisfaction I feel as I contemplate the
movements enacted before me. To be sure, every striving is by its nature a
striving ...
Both my situation and attitude prevent any bodily movements. But this does not
eliminate my inner activity, the striving and satisfaction I feel as I contemplate the
movements enacted before me. To be sure, every striving is by its nature a
striving ...
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Parole e frasi comuni
A. C. Bradley abstract activity Apollinian appreciation Aristotle artist artworld beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative criticism dance dancer defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians example existence expression external fact feeling G. E. M. Anscombe Greek human ideas imagination imitation individual intuition judgment kind language living look Ludwig Wittgenstein machine material matter means MELVIN RADER merely mind moral Morris Weitz movement nature novel object organic painter painting particular perception person phantasy philosophical physical picture play pleasure poet poetry present principle production psychological pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social Sophocles structure style sublime symbol things tion tragedy unity vision visual whole word world vision
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 5, illustrata |
| Editore | Holt, Rinehart and Winston, 1979 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 giu 2009 |
| ISBN | 0030193311, 9780030193316 |
| Lunghezza | 563 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |