A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 356
... nature , " which means after all only that Art copies nature with certain improve- ments and revisions . Artists themselves are unfortunately often responsible for the spreading of this conception . Whistler indeed said that to produce ...
... nature , " which means after all only that Art copies nature with certain improve- ments and revisions . Artists themselves are unfortunately often responsible for the spreading of this conception . Whistler indeed said that to produce ...
Pagina 475
... nature , embodying the deepest human needs and potentialities , is created by man himself in the historical process . Strongly insisting on the sensory and passional nature of man , Marx holds that external nature is man's larger " body ...
... nature , embodying the deepest human needs and potentialities , is created by man himself in the historical process . Strongly insisting on the sensory and passional nature of man , Marx holds that external nature is man's larger " body ...
Pagina 519
... nature are indivisi- ble , and that survival and health are contingent upon an understanding of nature and her processes , these societies will be very different from ours , as will be their towns , cities and landscapes . The hydraulic ...
... nature are indivisi- ble , and that survival and health are contingent upon an understanding of nature and her processes , these societies will be very different from ours , as will be their towns , cities and landscapes . The hydraulic ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York