A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 122
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The novel blots out external reality by substituting a more or less consistent mock ...
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The novel blots out external reality by substituting a more or less consistent mock ...
Pagina 125
... novel - already explained - this movement is expressed in different ways in poetry and in the novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by ...
... novel - already explained - this movement is expressed in different ways in poetry and in the novel . Poetry concentrates on the immediate affective associations of the word , instead of going first to the object or entity symbolized by ...
Pagina 439
... novel ?, " " Is Joyce's Finnegan's Wake a novel ? " On the traditional view , these are construed as factual problems to be answered yes or no in accordance with the presence or absence of defining properties . But certainly this is not ...
... novel ?, " " Is Joyce's Finnegan's Wake a novel ? " On the traditional view , these are construed as factual problems to be answered yes or no in accordance with the presence or absence of defining properties . But certainly this is not ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York