A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 334
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , and what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , and what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing ...
Pagina 371
... object -a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
... object -a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this ...
Pagina 487
... object , the appropriation of human reality . The way in which they react to the object is the confirmation of human reality . It is human effectiveness and human suffering , for suffering humanly considered is an enjoyment of the self ...
... object , the appropriation of human reality . The way in which they react to the object is the confirmation of human reality . It is human effectiveness and human suffering , for suffering humanly considered is an enjoyment of the self ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York