A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 4
... organic " by analogy . In the Poetics , Aristotle applied the concept of organic form to tragedy and epic poetry . The subsequent history of " organic unity " as an esthetic concept is traced by Harold Osborne in Chapter 9. I shall not ...
... organic " by analogy . In the Poetics , Aristotle applied the concept of organic form to tragedy and epic poetry . The subsequent history of " organic unity " as an esthetic concept is traced by Harold Osborne in Chapter 9. I shall not ...
Pagina 285
... organic " rather than " mechanic " form . As Coleridge said : The form is mechanic when on any given material we impress a predetermined form , not necessarily arising out of the properties of the material , as when to a mass of wet ...
... organic " rather than " mechanic " form . As Coleridge said : The form is mechanic when on any given material we impress a predetermined form , not necessarily arising out of the properties of the material , as when to a mass of wet ...
Pagina 539
... Organic Unity in Ancient and Later Poetics . Carbondale , Ill .: Southern Illinois University Press , 1975 . Osborne , Harold . " Organic Unity Again . " BJA 16 ( 1976 ) . " Ways of Abstraction . " BJA 16 ( 1976 ) . Podro , Michael ...
... Organic Unity in Ancient and Later Poetics . Carbondale , Ill .: Southern Illinois University Press , 1975 . Osborne , Harold . " Organic Unity Again . " BJA 16 ( 1976 ) . " Ways of Abstraction . " BJA 16 ( 1976 ) . Podro , Michael ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York