A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
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Pagina 207
... painters . The conviction grew that photography was just a new kind of painting , and its exponents attempted by every means possible to make the camera produce painter - like results . This misconcep- tion was responsible for a great ...
... painters . The conviction grew that photography was just a new kind of painting , and its exponents attempted by every means possible to make the camera produce painter - like results . This misconcep- tion was responsible for a great ...
Pagina 208
... painter may spend a lifetime work- ing on one picture and still not consider it finished . But the photogra- pher's recording process cannot be drawn out . Within its brief duration , no stopping or changing or reconsidering is possible ...
... painter may spend a lifetime work- ing on one picture and still not consider it finished . But the photogra- pher's recording process cannot be drawn out . Within its brief duration , no stopping or changing or reconsidering is possible ...
Pagina 304
... painters who work in this vein , and it constitutes to my mind one of the highest and most worthy expressions in the ... painter as Tamayo - the designer , the imaginer , originator of strange beasts and men in all the possible mutations ...
... painters who work in this vein , and it constitutes to my mind one of the highest and most worthy expressions in the ... painter as Tamayo - the designer , the imaginer , originator of strange beasts and men in all the possible mutations ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York