A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 300
... paintings consist of one or two long agitated strokes . These painters are of the paint - alone school too , but in their case it is the act of painting which is emphasized . The act is in some cases looked upon as therapeutic ; in ...
... paintings consist of one or two long agitated strokes . These painters are of the paint - alone school too , but in their case it is the act of painting which is emphasized . The act is in some cases looked upon as therapeutic ; in ...
Pagina 449
... painting like this . For example , when we look at this painting by Poussin , we may attend to its sensuous features , to its " look and feel . " Thus we attend to the play of light and color , to dissonances , contrasts , and harmonies ...
... painting like this . For example , when we look at this painting by Poussin , we may attend to its sensuous features , to its " look and feel . " Thus we attend to the play of light and color , to dissonances , contrasts , and harmonies ...
Pagina 451
... painting only . Were this not so , the sort of description of the Poussin painting which was given by Professor Ziff would not have helped to establish a clear - cut case of what is to be designated as a work of art . For example , were ...
... painting only . Were this not so , the sort of description of the Poussin painting which was given by Professor Ziff would not have helped to establish a clear - cut case of what is to be designated as a work of art . For example , were ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York