Dall'interno del libro
Risultati 1-3 di 79
Pagina 69
That they inspire him means that they move him to add to them some others in
some particular temporal pattern. Having done so, he then contemplates
aesthetically the bit of music he has just invented and perhaps actually played;
and, ...
That they inspire him means that they move him to add to them some others in
some particular temporal pattern. Having done so, he then contemplates
aesthetically the bit of music he has just invented and perhaps actually played;
and, ...
Pagina 230
They are partisan because they are particular. . . . Whatever is particular — a
particular art, a particular religion, a particular philosophy — is self-absorbed and
self-centered and hence never free from bias. The truth is that every particular
point ...
They are partisan because they are particular. . . . Whatever is particular — a
particular art, a particular religion, a particular philosophy — is self-absorbed and
self-centered and hence never free from bias. The truth is that every particular
point ...
Pagina 432
But is it senseless to say, "Stand roughly there?" Suppose that I were standing
with someone in a city square and said that. As I say it I do not draw any kind of
boundary, but perhaps point with my hand — as if I were indicating a particular
spot.
But is it senseless to say, "Stand roughly there?" Suppose that I were standing
with someone in a city square and said that. As I say it I do not draw any kind of
boundary, but perhaps point with my hand — as if I were indicating a particular
spot.
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Parole e frasi comuni
A. C. Bradley abstract activity Apollinian appreciation Aristotle artist artworld beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative criticism dance dancer defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians example existence expression external fact feeling G. E. M. Anscombe Greek human ideas imagination imitation individual intuition judgment kind language living look Ludwig Wittgenstein machine material matter means MELVIN RADER merely mind moral Morris Weitz movement nature novel object organic painter painting particular perception person phantasy philosophical physical picture play pleasure poet poetry present principle production psychological pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social Sophocles structure style sublime symbol things tion tragedy unity vision visual whole word world vision