A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 69
... particular next step , and rules out particular others which a different composer might have preferred . This process of inspiration - creation - contemplation - judgment and correc- tion or approval — is repeated again and again until ...
... particular next step , and rules out particular others which a different composer might have preferred . This process of inspiration - creation - contemplation - judgment and correc- tion or approval — is repeated again and again until ...
Pagina 230
... particular - a particular art , a particular religion , a particular philosophy - is self - absorbed and self - centered and hence never free from bias . The truth is that every particular point of view ineluctably suffers from a warped ...
... particular - a particular art , a particular religion , a particular philosophy - is self - absorbed and self - centered and hence never free from bias . The truth is that every particular point of view ineluctably suffers from a warped ...
Pagina 432
... particular spot . And this is just how one might explain to someone what a game is . One gives examples and intends them to be taken in a particular way . - I do not , however , mean by this that he is supposed to see in those examples ...
... particular spot . And this is just how one might explain to someone what a game is . One gives examples and intends them to be taken in a particular way . - I do not , however , mean by this that he is supposed to see in those examples ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York