A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 64
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
... perception of the given time and society . And this religious perception is always clearly expressed by a few advanced men and more or less vividly perceived by members of the society generally . Such a religious perception and its ...
Pagina 65
... perception , was neither dis- tinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
... perception , was neither dis- tinguished nor discussed . Thus as regards its subject matter has art always and everywhere been appraised and thus it should be appraised , for this attitude towards art proceeds from the fundamental ...
Pagina 414
... perception to perception . Not that there is a steady increase . Sometimes I am fatigued and see and feel it less than at earlier times . And sometimes I analyze it and voluntarily reduce quality for that perception in order to fund the ...
... perception to perception . Not that there is a steady increase . Sometimes I am fatigued and see and feel it less than at earlier times . And sometimes I analyze it and voluntarily reduce quality for that perception in order to fund the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York