A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 109
... phantasy brings satisfaction , although the knowledge that it is not real- ity remains thereby unobscured . In phantasy , therefore , man can con- tinue to enjoy a freedom from the grip of the external world , one which he has long ...
... phantasy brings satisfaction , although the knowledge that it is not real- ity remains thereby unobscured . In phantasy , therefore , man can con- tinue to enjoy a freedom from the grip of the external world , one which he has long ...
Pagina 110
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
Pagina 113
... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up with some current impression , occasioned by some event in the present ...
... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up with some current impression , occasioned by some event in the present ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York