A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 184
... philosophical writing elegantly done . But the first , and the essential , aim of philosophical ( and scientific ) language is efficiency in conveying , not feeling of ideas , but ideas themselves . " Well said " in phi- losophy ...
... philosophical writing elegantly done . But the first , and the essential , aim of philosophical ( and scientific ) language is efficiency in conveying , not feeling of ideas , but ideas themselves . " Well said " in phi- losophy ...
Pagina 455
... philosophers wish not to have to face either factual problems or synoptic tasks , these are indeed questions which are more comfortably avoided than pursued . -The American Philosophical Quarterly , Vol . 2 ( 1965 ) NOTES 1. See William ...
... philosophers wish not to have to face either factual problems or synoptic tasks , these are indeed questions which are more comfortably avoided than pursued . -The American Philosophical Quarterly , Vol . 2 ( 1965 ) NOTES 1. See William ...
Pagina 547
... Philosophical Quarterly 5 ( 1968 ) . " Defining Art . " American Philosophical Quarterly 6 ( 1969 ) . Diffey , T. F. " The Idea of Art . " BJA 17 ( 1977 ) . Fethe , G. B. " Craft and Art : A Phenomenological Distinction . " BJA 17 ...
... Philosophical Quarterly 5 ( 1968 ) . " Defining Art . " American Philosophical Quarterly 6 ( 1969 ) . Diffey , T. F. " The Idea of Art . " BJA 17 ( 1977 ) . Fethe , G. B. " Craft and Art : A Phenomenological Distinction . " BJA 17 ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York