A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 111
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but— reality . Notwithstanding the large affective cathexis1 of his play - world , the child distinguishes it perfectly from ...
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but— reality . Notwithstanding the large affective cathexis1 of his play - world , the child distinguishes it perfectly from ...
Pagina 112
... play of children . Children do , it is true , play alone , or form with other chil- dren a closed world in their minds for the purposes of play ; but a child does not conceal his play from adults , even though his playing is quite ...
... play of children . Children do , it is true , play alone , or form with other chil- dren a closed world in their minds for the purposes of play ; but a child does not conceal his play from adults , even though his playing is quite ...
Pagina 168
... play are thus objectively distinguished as useful and useless action , work is a eulogistic term and play a disparaging one . It would be better for us that all our energy should be turned to account , that none of it should be wasted ...
... play are thus objectively distinguished as useful and useless action , work is a eulogistic term and play a disparaging one . It would be better for us that all our energy should be turned to account , that none of it should be wasted ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York