A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 116
... pleasure in the presentation of his phantasies . The increment of pleasure which is offered us in order to release yet greater pleasure arising from deeper sources in the mind is called an " incite- ment premium " or technically ...
... pleasure in the presentation of his phantasies . The increment of pleasure which is offered us in order to release yet greater pleasure arising from deeper sources in the mind is called an " incite- ment premium " or technically ...
Pagina 172
... pleasure intimately bound up in the thing , inseparable from its character and constitution , the seat of which in us is the same as the seat of the perception . We naturally fail , under these circumstances , to separate the pleasure ...
... pleasure intimately bound up in the thing , inseparable from its character and constitution , the seat of which in us is the same as the seat of the perception . We naturally fail , under these circumstances , to separate the pleasure ...
Pagina 377
... pleasure in this object . Pleasure from physical states is pleasure which I feel while I am paying attention to these states . To say that something is pleasurable means simply that I have a feeling of pleasure by being inwardly ...
... pleasure in this object . Pleasure from physical states is pleasure which I feel while I am paying attention to these states . To say that something is pleasurable means simply that I have a feeling of pleasure by being inwardly ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York