A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 79
... poet has experienced what he depicts , that he has gone through the various situations he makes his characters traverse , and lived the whole of their inner life ? Here , too , the biographies of poets would contradict such a ...
... poet has experienced what he depicts , that he has gone through the various situations he makes his characters traverse , and lived the whole of their inner life ? Here , too , the biographies of poets would contradict such a ...
Pagina 127
... poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist . We have seen that music is an extreme kind of poetry , that just as mathematics escapes almost altogether from the subjective qualities ...
... poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist . We have seen that music is an extreme kind of poetry , that just as mathematics escapes almost altogether from the subjective qualities ...
Pagina 132
... poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the ...
... poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York