A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 121
... poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in the first person . The images of dream , like the ideas of poetry , are ...
... poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in the first person . The images of dream , like the ideas of poetry , are ...
Pagina 127
... poetry and the novel the difference between changelessness and change , space and time , and it is clear that these are not mutually exclusive opposites but are ... poetry can be equated with dream , poetic technique Christopher Caudwell 127.
... poetry and the novel the difference between changelessness and change , space and time , and it is clear that these are not mutually exclusive opposites but are ... poetry can be equated with dream , poetic technique Christopher Caudwell 127.
Pagina 132
... poet who brings a new portion of external reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks ...
... poet who brings a new portion of external reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York