A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 87
... practical , whose social and cultural importance need not , of course , be insisted upon . So with the painter ; he ... practical action ; and , in the case of art , of the practical action which makes objects and instruments for the ...
... practical , whose social and cultural importance need not , of course , be insisted upon . So with the painter ; he ... practical action ; and , in the case of art , of the practical action which makes objects and instruments for the ...
Pagina 332
... practical response . It is the opposite of the sense that the thing beheld is a " real - life object " of practical or personal import . Distance , Bullough explains , has two aspects . First , there is a negative or inhibitory aspect ...
... practical response . It is the opposite of the sense that the thing beheld is a " real - life object " of practical or personal import . Distance , Bullough explains , has two aspects . First , there is a negative or inhibitory aspect ...
Pagina 348
... practical interest snaps like a wire from sheer over - tension , and we watch the consummation of some impending catastrophe with the marveling unconcern of a mere spectator . It is a difference of outlook , due - if such a metaphor is ...
... practical interest snaps like a wire from sheer over - tension , and we watch the consummation of some impending catastrophe with the marveling unconcern of a mere spectator . It is a difference of outlook , due - if such a metaphor is ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York