A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 174
... present fact which it beautifies . The revival of a pleasure and its embodiment in a present object which in itself might have been indiffer- ent , is here patent and acknowledged . The distinctness of the analysis may indeed be so ...
... present fact which it beautifies . The revival of a pleasure and its embodiment in a present object which in itself might have been indiffer- ent , is here patent and acknowledged . The distinctness of the analysis may indeed be so ...
Pagina 215
... present . Everything topical , contemporary , bound together in the present moment is of special significance and value to the man of today , and , filled with this idea , the mere fact of simultaneity acquires new meaning in his eyes ...
... present . Everything topical , contemporary , bound together in the present moment is of special significance and value to the man of today , and , filled with this idea , the mere fact of simultaneity acquires new meaning in his eyes ...
Pagina 441
... present but most of which are , when we describe things as works of art . I shall call these the " criteria of recognition " of works of art . All of these have served as the defining criteria of the indi- vidual traditional theories of ...
... present but most of which are , when we describe things as works of art . I shall call these the " criteria of recognition " of works of art . All of these have served as the defining criteria of the indi- vidual traditional theories of ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York