A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 261
... principle in its simplest form ; to show in some slight measure how association brings to music significance and ... principle of repetition for the creative principle of association , and later music finds itself in this respect as in ...
... principle in its simplest form ; to show in some slight measure how association brings to music significance and ... principle of repetition for the creative principle of association , and later music finds itself in this respect as in ...
Pagina 285
... principle that Coleridge enunciates is commonly called " organic unity . " All other principles of form — theme , thematic variation , balance , rhythm , emphasis and subordination , and growth or evolution - serve this one master principle ...
... principle that Coleridge enunciates is commonly called " organic unity . " All other principles of form — theme , thematic variation , balance , rhythm , emphasis and subordination , and growth or evolution - serve this one master principle ...
Pagina 341
... principle , then the person who lays them down in accordance with this latter would claim an unconditioned necessity for his judgment . If they were devoid of all principle , like those of a mere taste of sense , we would not allow them ...
... principle , then the person who lays them down in accordance with this latter would claim an unconditioned necessity for his judgment . If they were devoid of all principle , like those of a mere taste of sense , we would not allow them ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York