A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 144
... production of works of art is based upon identification of thinking with use of one special kind of material , verbal signs and words . To think effectively in terms of relations of qualities is as severe a demand upon thought as to ...
... production of works of art is based upon identification of thinking with use of one special kind of material , verbal signs and words . To think effectively in terms of relations of qualities is as severe a demand upon thought as to ...
Pagina 483
... PRODUCTION CONDITIONS THE SOCIAL , Political , AND CULTURAL PROCESSES OF LIFE In the social production which men carry on they enter into definite rela- tions that are indispensable and independent of their will ; these relations of ...
... PRODUCTION CONDITIONS THE SOCIAL , Political , AND CULTURAL PROCESSES OF LIFE In the social production which men carry on they enter into definite rela- tions that are indispensable and independent of their will ; these relations of ...
Pagina 489
... production costs . It depends rather on the general state of science and on technological progress , or the application of this science to production . ( The development of science - especially of the natural sciences and with them all ...
... production costs . It depends rather on the general state of science and on technological progress , or the application of this science to production . ( The development of science - especially of the natural sciences and with them all ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York