A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 85
... pure poet , the pure artist , the votary of pure Beauty , aloof from contact with humanity , is no real figure but a caricature . That poetry not only presupposes the other forms of human mental activity but is presupposed by them , is ...
... pure poet , the pure artist , the votary of pure Beauty , aloof from contact with humanity , is no real figure but a caricature . That poetry not only presupposes the other forms of human mental activity but is presupposed by them , is ...
Pagina 293
... pure esthetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to trans- port me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
... pure esthetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to trans- port me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
Pagina 294
... pure esthetic emotions is called in question by those who have never felt anything of the sort . It is the preva- lence of the representative element , I suppose , that makes the man in the street so sure that he knows a good picture ...
... pure esthetic emotions is called in question by those who have never felt anything of the sort . It is the preva- lence of the representative element , I suppose , that makes the man in the street so sure that he knows a good picture ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York