A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 122
... reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective emotional linkage behind the words , rises to the view ...
... reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective emotional linkage behind the words , rises to the view ...
Pagina 130
... reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in the ...
... reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in the ...
Pagina 132
... reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of reality . It may be the old ...
... reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of reality . It may be the old ...
Sommario
THE MEANING OF ART PART I THE CREATIVE PROCESS 1 IMITATION AND IMAGINATION | 1 |
Natures Imitation of Art E H Gombrich Truth and the Stereotype | 25 |
EMOTION | 63 |
Copyright | |
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance elements esthetic experience esthetic object esthetic theory esthetic value estheticians example existence expression fact feeling formal function G. E. M. Anscombe George Dickie Greek human ideas imagination imitation individual intuition JAAC judgment kind language look Lucien Goldmann Ludwig Wittgenstein material means MELVIN RADER mind Morris Weitz movement nature organic painter painting particular perception person Philosophical physical picture play pleasure poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape significant form similar social Sophocles structure style sublime symbol taste things tion tragedy unity vision visual whole Wittgenstein word world vision York